& Commentary
inaugural date: 26 November 2000; for latest updates, see immediately below.
Comments, corrections, questions: John
Younger (jyounger@ku.edu)
The following fonts are now available (7 Sep 08) for Macintosh OS X (courtesy Jean-Pierre Olivier):
3. Corpora and Phonetic Transcriptions
The transcribed texts are based on the texts presented in GORILA (below) and a transnumeration and phonetic normalization finished 22 March 1994 by John G. Younger; Jean-Pierre Olivier checked this document against GORILA vols. I-V and a ms. of VI. It was then put in tabular form in January-February 1997. Since then, there have been continual updates.
The phonetic transcriptions use Linear B values for Linear A signs assumed to be the same. Also see below, "Phonetic values of the signs."
4. Conventions (bibliographical,
epigraphical)
Epigraphical
Conventions
6. My Goals for Establishing This Website
7. What Is Known about Linear A

The first
sign looks Hieroglyphic, like the bull head #012
; the other two signs
are
definitely Linear A: TA-JE. If the inscription is indeed a mix of
scripts,
it may well be very early.
The other earliest documents date to MM IIA (KN 40 from Knossos, South House, carrying a badly legible fraction) or MM II (ARKH Zf 9; PH 6-19, 22, 24-28, 30 [Haghia Photini], Wb 33-36, Wc 37-41, 43, 44, 46, 52, 55, Wg 45, and Wy 42; and SAM Wa 1).
Hieroglyphic was therefore probably invented first, in MM IA and appears first on seals from Archanes and Ayia Triada; Linear A follows immediately in MM IB, or soon after, in MM II, and appears first on documents primarily from Phaistos. From then until MM III, Hieroglyphic and Linear A were being written contemporaneously, with Hieroglyphic documents at Malia Quartier Mu (MM II) and Malia Palace (MM III, and Knossos Palace?) and with Linear A documents at Phaistos (MM II), Malia Palace (MM III), and Knossos Palace (MM IIIB). From this evidence, it is possible that Hieroglyphic originated at in central Crete first (or possibly at Malia), in MM IA and Linear A originated at Phaistos slightly later in MM II.
Although the two scripts share several signs, which may have similar phonetic values, it is not clear why two such different scripts should have developed more or less contemporaneously unless they represent two different administrative practices and/or two different languages or dialects (Schoep 2002, 22-23).
for Linear B ro2 and 78
for Linear B
do); it is therefore possible that Linear B was developing earlier
than LM/LH
II and
incorporating more than one source.
Other linear scripts may have similarly developed from Linear A farther east: see the inscription from Lachish (Finkelberg 1996).
| side.line | statement | logogram | number | fraction |
| .1 | PA-SE | GRA+QE | 20 | |
| .1 | OLE+KI | 2 | ||
| .2 | *304 | 3 | ||
| .2 | SA-RA2 | GRA | 10 | |
| .2-3 | FIC | 10 | ||
| .4-5 | vacant |
| side.line | statement | logogram | number | fraction |
| .1-2 | RA-*164a-TI | TE VINa | 30 | |
| .2-3 | SA-RO | 5 | J | |
| .3-4 | DU-ME-DI | 43 | J |
| side.line | statement | logogram | number | fraction |
| .1 | PA-RO-SU | |||
| .1-2 | KU-MA-JU | E | ||
| .2-3 | QE-KU-RE | DI | J | |
| .4 | CAPm | F | ||
| .2 | SA-RE-JU | F | ||
| .2-3 | WA | E | ||
| .4-5 | *188+KU | J |
The documents that employ the Continuity Principle might therefore reflect short initial documents that record contributions which are then organized in an outline fashion. For instance, I can imagine 5 separate documents being collated to produce HT 20:
| 1 | QE-KU-RE | DI | J | = | QE-KU-RE | DI | J | |
| 2 | QE-KU-RE | CAPm | F | = | CAPm | F | ||
| 3 | SA-RE-JU | CAPm | F | = | SA-RE-JU | F | ||
| 4 | SA-RE-JU | WA | E | = | WA | E | ||
| 5 | SA-RE-JU | *188+KU | J | = | *188+KU | J |
The implication of such a system is that the 5 separate short texts (really more like chits) were brought together, not because they represent the same contributions or contributions from the same place/person, but because they represent contributions organized according to a larger principle: 1) made at the same time, or 2) made from the same region/person, or 3) organized/collected by the same Collector.
| name | a: contribution | b: U-MI-NA-SI | assessment |
| A-SI-JA-KA | |||
| GRA+QE
5 JA-QIf | OLE+U OLE+KI 2 OLE+MI L2 OLE+TU 1 | 5 2 L2 1 | |
| VINa 6 | 6 | ||
| SA-RA2 | OLE+DI 1 | OLE+DI 5 | 6 |
| NI 2 | NI 2 | 4 | |
| VINa 3 | VINa 4 | 7 | |
| GRA 20 | 20 | ||
| VIR+KA VINa 6 | 6 | ||
| A-RU-DA-RA | GRA 5 | 5 | |
| *304 2 | 2 | ||
| OLE+DI 3 | 3 | ||
| I-TA-JA | OLE+DI 10 | 10 | |
| PU-RA2 | NI 6 | 6 | |
| WI-DI-NA | OLE+DI 3 | 3 | |
| VINa 3 E | 3 E |
| commodity | name | contribution | U-MI-NA-SI | total |
| VINa | VIR+KA SA-RA2 WI-DI-NA JA-QIf | 6 3 | 4 3 E 6 | 22 E |
| OLE+DI | SA-RA2 A-RU-DA-RA I-TA-JA WI-DI-NA | 1 3 10 | 5 3 | 22 |
| GRA | A-SI-JA-KA A-RU-DA-RA SA-RA2 | 5 5 | 20 | 30 |
| NI | SA-RA2 PU-RA2 | 2 | 2 6 | 10 |
| OLE+? | JA-QIf | 3 J L2 | 3 J L2 | |
| *304 | A-RU-DA-RA | 2 | 2 |
The ratios seem to be as follows:
| name | a: KI-RI-TA2 (owed) | b: SA (paid?) | assessment |
| SA-RA2 | a: GRA 10 | 10 | |
| a: VINa 1 | b: SA (paid?) VINa 9 | 10 | |
| a:
OLE
7 NI 1 BOSm 3 | 11 oil, figs, cattle |
Again, the ratios appear to be similar in proportion to those in HT 28:
, a
bull-head, becomes Linear AB 23
MU, Hieroglyphic *018
, a dog head, becomes AB 60
RA, and Hieroglyphic
*060
, a
cat face, becomes AB 80
MA. My guess is that the
phonetic value of these signs
reflect the sound the animal makes, "moo," "arf,"
and "miaow" (in English). And
there are other examples where the
sound of the object
seemingly relates to
its phonetic value
(e.g., Hiero *057
, a
key sistrum, becomes AB 67
KI [the
clinking sound of a metal
rattle]). This is not to say that the acrophonic
principle is never appropriate to Linear A. Valério 2007
demonstrates that the word for master/lord is DU-PU2-RE
and that the first sign DU
is based in form on
the
Egyptian sr
,
"official/dignitary/courtier."
"The languages which have been used for comparison are of two families: Indo-European, especially an Anatolian language such as Luwian (Palmer, Meriggi [and Ed Brown of UNC-CH]); Semitic (Gordon, Best, and others)... First no inflexional forms such as characterize Indo-European or Semitic languages can be clearly demonstrated, hence the identifications depend largely on vocabulary, which is notoriously easily borrowed. Secondly, the Semitic comparisons are mainly with triconsonantal roots -- yet if the vowels are ignored we are leaving out half the information presented by the script, and thus much decreasing the chances of success. Thirdly, if the languge of Linear A does not belong to a well-known family, then the chances of identifiying it are virtually nil. This is not to say that Linear A remains undecipherable; as more documents are found and published, we shall understand more of it. But I doubt very much if speculation at this stage can help; I feel strongly that is likely to belong to an unfamiliar type." (Chadwick 1975: 147)
Phonetic
values of the signs (Godart 1984, amplifying Olivier's previous
list)
*34=MNA or perhaps MINA
has been
suggested to represent
MNA (or, if a disyllabic value can be accepted, MINA), based on its
resemblance to the crescent moon (Pope and Raison 1978,
28; Packard 1974, 107; Furumark 1956, 24). And while this idea has not
received wide-spread agreement, it may be correct. Consider the following:
*22=mPI2
(see Duhoux 1984, Janda 1986, Melena 1987; Tosa 2010)
*29=mPU2
(see Duhoux 1984, Janda 1986, Melena 1987; Tosa 2010)
*56=PA3 or
mPA3 (see SMID
1981, p. 61; Duhoux 1984, Janda 1986, Melena 1987; Tosa 2010)
*65=JU (see SMID 1981, p.
61)
*66=TA2=TNA
(Pope-Raison 1978: 28).
*304 = KA2;
*306 =
A2 (shape
resembles AB 43, known from MY Zf 2); *318 = DI2
| *304 = KA | |
| JA-*304[ (PH 14a) | cf. A-SI-JA-KA (HT 28a.1, 28b.1-2) |
| ]*304+PA-DA-*047-KU[ | |
| *304+PA (lots) | KA-PA (HT 6a.1; HT 8b.4; HT 94a.1; HT 102.1; HT 140.5) |
| *304+PA+*316+D3 (HT Wa <1021bis>) | |
| *304+PA-KU-PA (HT We 1020a) |
| *306 = A | |
| ]*306-JA-PI (ARKH 3b.1) | WA-JA-PI-[ ] (HT 9b.1) |
| ]*306-KI-TA2 (HT 122b.2) | A-*301-KI-TA-A (TY Zb 4) |
| ]*306-QE-DU[ (KH 21.3) | |
| ]-*306-TI-KA-A-RE[ (HT 4.1) | A-TI-KA (ZA Wc.a1-2) |
| *306-TU-JA (HT 115b.3) | cf. JA-TO-JA[ (ZA 4a.2-3) |
*314
= PU3
Valério independently; Owens 1999 & Facchetti 1999a, 132 identify the value as BU, a variant of PU2; so as not to start a new consonant "row," I conform the sign to PU3
*348 (hapax legomenon) =
SI2
*363 (and
*364?) =
SO2
*043, from which B12
so
derives);
see Hiero #039 and parallel
Linear A tablet HT 9.
, cf. Linear B
PY
Mn 111.1,7). On HT 140,
86 is probably a single sign, applying to the following sign-group associated with VIR, always with whole numbers (cf. HT 27a.2, 94a.1, b.5). It may designate a group of people (title, collective, occupation); cf. HT 11b.2, 45a.2 (Schoep 2002, 136-7).

*54+81 TELA+KU counted in units, associated with *188; *536

*54+A312, TELA+? counted in units, associated with *188
[Bennett 1975: 61, & Melena 1975:
108-10 both give TELA+ZO?; Younger 2005 identifies
A312 as KU [also in his Hieroglyphic website]); *54+SE (Thera); *54+TE (Tel Haror; cf. Linear B TELA+TE = tepa cloth, a Minoan word; Oren 1996, 105)
VINa or plain wine, sometimes ligatured with ME (honey?) or SA (sesame?)
, which resembles an animal (sheep?) head,
corresponds
to 3 subunits of *051
, which looks
like a small
dagger. Linear A *312
also looks
like a small
dagger and appears as an adjunct to Linear A *54
TELA (HT 38.3: TELA+*312; cf. TELA+KU on HT 38.3
(same line); and KU-TA[
on HT 115b.4 with *312+TA on HT 10b.2).
; *401 two-handled cup
, ligatured *649 (+[ ]), *650 (+ sign A), *651
(+RU), *652 (+RO), *653 (+*304); *402, straight-sided, handleless cup
; *403, chalice
;
*404, cup with one handle
, ligatured *654 (+
sign A); *405, two-handled bucket
, ligatured
(+Ω); *406, lidded bucket
, ligatured
(+KE); *407, lekane or basin
, ligatured
(+A); *408, tripod with two horizontal loop handles
; *409, handleless tripod
; *410, tripod with two vertical loop handles
; *411, tripod with two horizontal strap handles
; *412, ewer
,
ligatured *658 (+E); *413, ovoid jug (funnel?)
, ligatured *660 (+SU); *414 squat jug
, ligatured *661 (+[ ]), *662 (+F); *415, pithoid
jar
; *416, pithos
; *417, wicker basket
(like those the girls use in the Xeste 3 fresco
to collect crocus stamens in), ligatured *663 (+L2); *418, bull
head rhyton
, ligatured *664
(+L2). Several vessel logograms have fractions written inside
(see MA 10); these may refer to the capacities of the vessels or to
agricultural products, and their measurements, since they occur in mixed
commodity tablets (cf. Linear B *123 AROM which looks like a container but
actually refers to the contents, or to MU-container and sa-pi-de
boxes on PY Vn 19, MY 105; Schoep 2002, 127-8). On KN K 700 and in the Gg
tablets, the numbers refer to the contents, not the numbers of the vessels (Schoep 2002, 128). The KH roundels record quite a few vessels, according to the number of seal impressions: *408 tripod, 9; *409 tripod, 27; *411 tripod, 64; and *417 wicker baseket, 2.

MA+RU; *558 = ]MA+RU; *559 = MA+RU; *560 = MA+RU[; *561 = MA+RU+ME; *562 = ]MA+RU+RU). Linear
A thus has no separate
logogram for LANA (unlike in Hieroglyphic *84 and Linear B *64). The ligatures appear on a few documents (HT 12.4-5, HT
24a.1-5, KH 43.1, PH 3a.3) and the word is actually spelled out, MA-RU on
HT 117a.3 and
]MA-RU-A
on TY Zg 1; MA-RU does not seem to appear
in Hieroglyphic. Linear B LANA
*145
. The
classical Greek
word "μαλλός, mallós," wool, may thus
be a loan-word from Linear A (and
Hieroglyphic?). At PH, LANA is measured in small quantities, possibly disbursements; at HT, the quantities are large, possibly collections (Schoep 2002, 132).
| word 1 | word 2 | word 3 | word 4 | word 5 | word 6 | word 7 | word 8 |
| T/A-TA-I-301-etc. | toponymn | person's name? | J/A-SA-SA-RA | U-NA-KA-NA-SI | I-PI-NA-MA | SI-RU-TE | I-NA-JA-PA-QA |
Document PK 11,
however, presents three changes in the Libation Formula:
-- correct
-- wrong; should
be 1/6
-- correct
-- wrong: the double mina
-- correct
3/8 = *721/EF 
-- correct
5/8 =
*735/JF 
--
correct
2/3 = *703/D
-- wrong; the single
mina, perhaps 1/5
3/4 =*732/JE 
-- correct
5/6 = *736/JH 
--wrong; should be
2/3
| JJ (PH 9b) | ||||||
| J | A (HT 120.3) | |||||
| J | E (lots; EJ [HT 123a.3-4; ZA 8.4]) | |||||
| J | E | B (HT 27a.8) | ||||
| J | B (HT 129.1; KH 5.4, 6.8, 17.3) | |||||
| J | F (HT 51b.2) | |||||
| J | K (HT 32.1) | |||||
| J | H (HT 93a.3) | |||||
| J | E | L2 (KH 7a.5, 56.1) | ||||
| J | L2 (HT 123b.4) | |||||
| EE (PH 12b.2, 13a, 13c) | ||||||
| E | B (KH 9.2) | |||||
| E | F (HT 8b.4, 16.3, 40a.4, 123b.5, Zd 156) | |||||
| E | L2 (HT 33.3) | |||||
| E | L4 (KH 26.2) | |||||
| E | L6 (KH 76.2) | |||||
| E | YYY (PH 26) | |||||
| A | BB (KH 86.2) | |||||
| BB (KE Wc 2b) | ||||||
| F | K (PH 1b.2) | |||||
| F | L (ZA 7b.8) | |||||
| H | K (HT 34.3) | |||||
| K | L2 (HT 86a.2, 120.2; KH 11.2.3-4, 4.6, 16.1, 75.2) | |||||
| L2L4 (HT 33.2) | ||||||
| L3L3 (HT 15.2) |
A (A701). In the discussion to HT 123+124, it is
clear that A[ = 7/12. ABB, however, also occurs (KH 86); logically, A
should be greater than B, but if it is smaller (as ABB seems to demand if
B=1/3), then perhaps A is something like 1/6 (see note to HT 34.7; but see
fraction H).
B (A702)= 1/3 (or 1/5).
B
occurs singly, in pairs
BB (ZA 8, 6; KE Wc 2b), as a pair after A (KH 86.2), and once after E
(1/4). That it occurs in pairs may imply that three B's would equal a
unit, and that B = 1/3. The conical cup fragment PK Zb? with RE B supports
this identification. Since EB occurs (KH 9.2) and JEB (HT 27), it would
seem logical that B is less than 1/4 (J = 1/2; E = 1/4; see below); but on
KH 9.2, EB occurs after K (1/16?), and it is therefore tempting to read
this set of fractions retrograde (BEK); if so, then a descending sequence
could be maintained (1/3, 1/4, 1/16). An analysis of KH 7, however,
strongly suggests that B = 1/5, which would go well with B's appearance
after E.
If, however, X (A711) is the half-mina and W is the mina, then W would
be 1/60 talent -- that might explain the formal relationship between B (if
B were 1/3) and
W: W would be a conjoined BB with an implied value of 1/10 x 1/6.
D (A703) = ?1/5 (suggested by Dr Dieter
Rumple; also see Double Mina, below). HT 115a.4 writes D four times, which
suggests that five D's might
equal a unit. It might, however, be a weight, equivalent to the mina (see
below).
DD is a weight, the Double Mina
(
D = single mina? [see above]. The
demonstration is presented in my article
"Cretan
Hieroglyphhic Wool Units (LANA, double
mina,") Younger 2005. See
below.
E (A704) = 1/4 (Pope 1960) occurs 52
times, the 2nd most common
fraction (Hallager 1995); see HT 9.a
F (A705) = 1/8 (Pope 1960). On HT 8b.3-6 (list 2), the numbers total 9 + 3J + E + 2F, or 10 3/4 + 2F -- if F = 1/8, the numbers total 11. On HT 93a-b.1, the total is ]165H; the numbers total 159 4J E F[ H, or 161 3/4 F[ H, leaving a difference of 3 F, if F is 1/8, to be filled by an entry on line a.9 or b.1.
H (A706) = ?1/6 (see notes to HT 123+124;
also see HT 6, 94, 100); by shape related to
E 1/4, D 1/5, F 1/8
J (A 707) = 1/2 (Pope 1960), occurs
93
times, the most common
fraction (Hallager 1995); see PE 1, ZA 4a.4, HT
9.b, HT 104
JE
(A732; A707+A704; Brice 1961: 7-8, table 2) = 3/4, occurs 25
times,
3rd
most common fraction (Hallager 1995)
K (A708) = 1/16 (Pope 1960; see the discussion to HT 155+156+157)
L (A709),
L2 (A709-2) (but see below),
L3
(A709-3),
L4 (A709-4),
L6 (A709-6) = values are unknown
L2 (A7092), The
discussion to KH 7 suggests that L2 = 3/20. This could mean
that L is twice this, 6/20 or 3/10; and that the other L-fractions are
subfractions of L: L3 would be 1/3 L, or 6/60 or 1/10;
L4 6/80 or 3/40; L6 1/20 -- L5 is not
extant, but it would represent 6/100 or 3/50.
The L subfractions occur in
combination
with other fractions: 
EL2 (KH
9.5, KH 13.3),

KL2
(KH
11.2, KH 16.1), 
EL4 (KH
26.2, KH 75.2), and

BL6
(KH 7a.6) and 
EL6 (KH
76.1).
W (A710) = value unknown (only at Khania:
KH 12, 21.1, 60.2, 61.4, 77); the family "resemblance" between this sign
and X (A711) might relate the two values (like W is 1/2X or 2X). If X is
the half-mina, then W could be a full mina (1/60 talent), which might
explain its
appearance as two conjoined Bs (1/3 + 1/3 = 1/6 x an implied 1/10)
(see below).
X (A711), occurs on HT 91.1 and KH 9.6
-- these occurrences do not suggest a value. The discussion to HT 123a
(also HT 91.1; KH 9.6) suggests the unlikely value of 13/12. Formally, the
sign looks related to
709
W; it may
represent a doubling of that ("4/3" or "1 1/3"), or a double
701 A "1/6"?.
Or it may be the Linear A equivalent of Linear B *116 N, the half mina -- if so, then W could be the full mina (see above).
Y (A712) = value unknown, but it appears as a set of 3 (PH 26), so perhaps 1/4 (cf. PH 9a).
Formally, the sign might be
related to the 1/2 series.
Ω (A713), occurs only once at
MA (MA 10b.1), as an adjunct to
A405VAS. The sign is identical to Hiero *304 Λ
, which
can
be demonstrated to be 1/2.
Summmary
For four of the fractions (J, E, F, K), we can
demonstrate certain values, and can suggest, with much less certainty,
values for an additional five fractions. The chart below also gives
Hiero fractions that are similar in shape.
The horizontal lines below the fractions point out "family"
resemblances in shape.
Weights
| Linear A | Linear B | Denomination | Mass (gr, approximate) | Fraction of Talent | Fraction of preceding |
A118 | talent | 29,000 | 1/1 | - | |
A717, DD | double mina | 967 | 1/30 | 1/30 | |
A703,
D | - | mina | 483 | 1/60 | 1/2 |
A711, X | 1/2 mina | 242 | 1/120 | 1/2 | |
| - | 1/24 mina | 20.2 | 1/1440 | 1/12 | |
| - | 1/144 mina? | (3.36) | 1/8640 | 1/6 |
Comments, corrections, questions: John
Younger: jyounger@ku.edu